| A Time to Kill Posted: John Grisham novels are difficult to rate as movies. On one hand Grisham's work translates to well to pop culture that his books are almost cinematic. On the other, the "book-is-never-as-good-as-the-movie"-ism applies. Some of Grisham's books have been quite good- "The Firm" was a terrifically exciting movie (Tom Cruise was letter-perfect for the role of Mitch McDeere), and "The Rainmaker" (which gave Matt Damon his start) certainly surprised me with a touching story of an underdog who upsets the system. Some have been mediocre to bad- "The Pelican Brief" and "The Chamber" fit the latter category, "The Client" the former. "A Time to Kill", in my opinion, is the best of them all because the author gives his audience a tough choice to make about what justice is. Pack in some sterling acting performances and this is one pretty darn good movie.
The plot? After his young daughter is viciously raped and assaulted by rednecks (no, John Rocker doesn't have a cameo), Samuel L. Jackson guns down the two assailents on their way to court. He is subsequently put on trial by the local DA, and defended by an idealistic white attorney. Jackson's trial becomes a swirling tempest for local hatreds to be aired.
Director Joel Schumacher certainly surprised me with good work, despite being the man who made "Batman & Robin". It helps to assemble some serious acting talent- Samuel L. Jackson and Kevin Spacey (the DA) are both recognized actors (Spacey having won an Oscar for "The Usual Suspects", and Jackson is *long* overdue for getting one himself), so the big surprise was Matthew McConaughey's sterling performance as the idealistic, passionate attorney who defends Jackson. McConaughey is a terrific actor- laid back, easy-going but with just enough passion and intensity. This movie put him on the map and it is easy to see why he is a talent in demand. Sandra Bullock and Ashley Judd have roles here but don't make much of an impression. Donald Sutherland and Keifer both have parts too- the former as Matthew McConaughey's mentor (a role he's quite good in, incidentally) and the latter as a local redneck.
Finally, a word about the plot: the best movies give us a sticky problem that can't be resolved easily. The tricky choice in "Crimson Tide" is a beautiful example of a decision that could go either way and gives the audience something to debate about afterwards. Here we're given a tricky choice- vengeance or justice? Do we acquit Samuel L. Jackson because in our hearts he did what we all would do in his place? Or do we punish him for taking the law into his own hands? It's a rough choice to make, and the movie refuses to give us an easy answer.
Well done. |
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